Résumé français

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Literature, discography and links

Pictures

The following photo gallery complements the article by Brigitte Bachmann-Geiser Dulcimer in Switzerlandwho is in the Swiss Music Newspaper 5/2014 was published.

The pictures come from Brigitte Bachmann-Geiser's archive, which she has built up over 40 years of research. The images may not be copied. Anyone interested in individual illustrations should contact the owners of the pictures directly or contact contact@musikzeitung.ch turn.

Picture 1

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Appenzell dulcimer
built by Johann Fuchs, Appenzell, 1990

Picture 1A

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Accessories for the Appenzell dulcimer
from left to right: small bridge, leather-covered mallets on one side, wire for stringing, tuning tools

Picture 2

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Valais dulcimer
built by Edelbert Imhof. The stops (bars) on both sides allow the fundamental tone of a string chorus to be raised by a semitone.

Picture 3

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Mooskirchen string music
Hackbrettmusi from Styria (Austria). The instrumentation corresponds to the Appenzell string music.

Picture 4

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Coat of arms disk of the Junker Sebastian vom Stein (Canton Bern), 1504.
The hammered dulcimer was also a popular amateur instrument for distinguished ladies in the 16th century. Black solder painting, detail

Picture 5

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Carnival dance in Schwyz
Minstrels in traditional costume with dulcimer and shawm play for the Schreittanz on the Landmatte in Schwyz. Diebold Schilling, Lucerne Chronicle, 1513, folio 259r

Picture 6

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Dulcimer with one bridge and two bells

Picture 7

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Dulcimer from 1644 from the Davos Museum of Local History

Picture 8

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Vignette by Franz Niklaus König
It illustrates the instrumentation of the first notated and printed Appenzell dance: violin, hammered dulcimer and bass.

Picture 9

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Gottlieb Emil Rittmeyer, Stubete on Alp Sol, 1865
Oil on canvas, 114 x 142 cm, location Kunstmuseum St.Gallen, acquired by the Kunstverein St.Gallen in 1865. The parasol protects against the detuning of the dulcimer strings.

Picture 10

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Four Appenzell string musicians
The original instrumentation of violin, dulcimer and bass from the early 19th century developed into a quartet with the addition of a second violin. The founders of Streichmusik Alder. From left to right. Johann Jakob Hug, Ulrich and Johannes Alder, Johann Jakob Keller. Photo around 1880, Adolf Müller, Herisau

Picture 11

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Original Appenzell string music with two violins, violoncello, bass and dulcimer
Streichmusik Alder, at the Gasthaus Sonne in Urnäsch (on the Säntis), ca. 1936: Jakob Weiss jun. (bass), Jakob Alder, Widebach (1888-1956, cello), Johannes Alder (2nd violin), Jakob Alder (1st violin), Emil Zimmermann (dulcimer)
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Picture 12

Hackbrett-Fraueli (Anna Bühlmann-Schlunegger, 1811-1897) in Grindelwald. Around 1900, women played the dulcimer for money at the entrance to the Lütschinen Gorge and the Upper Grindelwald Glacier. 

 

Picture: Archive Brigitte Bachmann-Geiser

 

Picture 13

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Cimbalom World Association in Appenzell, 2001

Picture 14

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China meets Appenzell
Concert in Appenzell 2008 with Liu Yuening and Johannes Fuchs
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Picture 15

The title page of the popular dulcimer booklet shows a solo dulcimer player.

 

Picture: Archive Brigitte Bachman-Geiser

 

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Picture 16

In the open air, the string music is played by hand harmonica instead of the second violin and cello. Photographer: Emil Grubenmann

 

 

Photo: Archive Brigitte Bachmann-Geiser

 

Picture 17

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Walpen Brothers
The brothers Adolph (hammered dulcimer) and Josef (saxophone) Walpen from Grengiols in the canton of Valais also played the hammered dulcimer four-handed.

Picture 18

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Bärnbieter Spiellüt
The ensemble plays with Christian Schwander on the hammered dulcimer.

Picture 19

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Appenzell string music siblings Küng
This family band consists mainly of young women: from left Clarigna, Roland, Mirena, Madlaina, Laraina Küng