According to the Zurich University of the Arts (ZHdK), the quartet consists of ZHdK students Oskar Rzazewski, Wojciech Chalupka and the two saxophonists Łukasz Dyczko Mastalerz. Rzazewski is currently studying saxophone in the Master Specialized Performance, soloist with Lars Mlekusch. Wojciech Chalupka completed his Bachelor of Music with Lars Mlekusch as an exchange student and is currently studying for a Master's degree in Composition.

Every year since 1974, the Orpheus Swiss Chamber Music Competition has honored outstanding chamber music ensembles. Around 800 prizewinners have been supported to date - many of whom now belong to the Swiss, European and global elite.
The prizewinners' concerts always take place as part of the Swiss Chamber Music Festival Adelboden. Other organizers are constantly including Orpheus prize-winning ensembles in their concert series.

Meret Lüthi and her long-standing continuo team recorded the demanding cycle of "Rosary Sonatas" by Heinrich Ignaz Franz Biber (1644 - 1704) on period instruments and in Dolby Atmos format. Together with the lavishly designed booklet, the recording provides an insight into the sound world of the late 17th century and the interpretation process. The CD was produced in collaboration with Bayerischer Rundfunk and released under the Swiss label Prospero.

Classica is a monthly French magazine for classical music and a partner of Radio Classique, Victoires de la Musique, the Grand Prix Lycéen des Compositeurs, Mezzo TV and Fnac. The Choc de Classica honors outstanding recordings every month, with a Choc de l'année awarded to the best at the end of the year.

The first movement of Beethoven's Fourth Symphony is now available worldwide as an open educational resource under a Creative Commons license, professionally recorded on historical instruments by the Hofkapelle München, recorded and edited by Maximilian Kremser and Julia Chen, who are studying film composition at the Munich University of Music and Performing Arts (HMTM). The recording in individual tracks means that individual instruments or groups of instruments can be listened to in the Open Music Academy's multi-track player.

In addition, a music education tutorial was created as part of the project, in which each instrument can be discovered and the soundscape of the symphony is ultimately created through interaction.

The sound recording makes it possible to click through individual parts and instrumental groups, writes the Munich University of Music and Performing Arts, and as an open educational resource (CC-BY license) opens up new ways of understanding the composition. "Operation Beethoven" is a joint project of the Open Music Academy at the University of Music and Performing Arts Munich in cooperation with the Hofkapelle München.

Link: openmusic.academy

The tuba was invented in 1835 by the chamber musician Wilhelm Wieprecht and the court instrument maker Johann Gottfried Moritz in Berlin for a rich bass register in military bands. It was there that the traveling composer Hector Berlioz heard it a little later and was entranced: The effect made by a large number of bass tubas in a military orchestra was beyond imagination. Richard Wagner encountered the instrument in the Parisian workshop of saxophone inventor Adolphe Sax.

The Instrument of the Year has been chosen by the state music councils since 2008 and is the focus of attention for twelve months. Each federal state appoints its own patrons and has its own approach to achieving the transnational goal: To draw curiosity and attention to the many facets of the tuba.

More info: https://lmr-rlp.de/instrument-des-jahres-2024-ist-die-tuba/

Estelle Presler from Unterseen in the canton of Bern has been playing the violin since she was three years old. She is currently taking violin lessons at MKZ with Xiaoming Wang. Among other things, she is a prizewinner at the Swiss Youth Music Competition, where she was the youngest participant in her category to win first prize with distinction. She won first prize at the "MKZ Förderpreis Klassik" with the Sonata No. 3 in D minor by Eugène Ysaÿe and Mozart's Rondo in C major.

Laurin Caprez from Root in Lucerne won first prize on the marimba with a piece by Johann Sebastian Bach and two modern compositions by Eric Sammut and Steve Weiss.

Every year, talented students from the Zurich Conservatory of Music (MKZ) take part in the "MKZ Förderpreis Klassik" competition. There were twelve qualifiers for the final at the Florhofgasse music center. The prize was awarded in two age categories, with three prizes to be won in each category.

All award winners:
https://www.stadt-zuerich.ch/ssd/de/index/departement_schul_sport/medien/medienmitteilungen/2023/november/231127a.html

In the 1990s, Seraina Rohrer helped set up an online portal for the Swiss music industry, among other things, according to a press release from the canton of Zurich. She developed a Master's program in film for various universities and universities of applied sciences and was media manager for the Locarno Film Festival for several years. She also began working as a curator, lecturer, trustee and columnist in Switzerland and abroad. From 2011 to 2019, she was director of the Solothurn Film Festival. She is currently Head of Innovation and Society at the Swiss Arts Council Pro Helvetia and develops transdisciplinary funding programs, including a focus on "Art, Science and Technology".

Madeleine Herzog will remain head of the Canton of Zurich's Department of Culture until May 2024. She took over the position in 2014 and has succeeded in "restructuring the funding of cultural promotion and increasing participation in the field of culture", writes the canton. Herzog's time also included "the extensive support of cultural workers during the coronavirus pandemic". Rohrer will take over the office from mid-August 2024.

The total revision became necessary after the financing model and quality assurance of the music schools were reviewed. According to the law on elementary schools, the canton provides recognized youth music schools with a contribution of 50 percent of the eligible operating costs, according to its press release. The implementation of this subsidy is regulated in the Music School Ordinance (MSV). Since the current MSV came into force in April 1991, the demands on the teaching and management of music schools have changed.

The Office for Primary Education therefore set up a working group with the task of reviewing the funding model and quality assurance of music schools. The working group subsequently presented a report, which was submitted to the music schools in the canton of Thurgau and the music and education associations for consultation. The draft was revised on the basis of the feedback received.

The changes require a complete revision of the MSV. The quality requirements and framework conditions for teachers' salaries required for cantonal recognition will be the responsibility of the Office for Primary Education, which will issue guidelines. In recent years, the canton's share of eligible operating expenses was only around 48% instead of the required 50%. At the same time, the chargeable operating expenses had to be increased, as the infrastructure costs were taken into account too little. These adjustments will lead to additional costs of around CHF 0.6 million from 2024.

Born in Bern, Sophie Hogrefe completed a Master's degree in Communication and Cultural Management at Zeppelin University, having previously graduated with a Bachelor of Arts from the Rotterdam University of the Arts. In her youth, she was a member of the Swiss national rhythmic gymnastics squad. She has also worked as a dancer at various international theaters and has worked in communications and cultural management for major foundations and companies.

For the coming year, she is responsible for the organizational and administrative aspects of the festival, while her predecessor is still in charge of implementing the artistic programme, i.e. engaging the musicians. From the 2025 festival, Hogrefe will also take over this part. The artistic director of the festival is Christoph-Mathias Mueller.

Deleila Piasko was born in Switzerland as the daughter of a dancer and a physicist, grew up in Zurich and studied acting in Berlin. After graduating, she was a permanent member of the ensemble at the Konzert Theater Bern until 2017, where her roles included the title role of Anne Frank.

The Salzburg Festival was founded more than 100 years ago by Hugo von Hofmannsthal, Max Reinhardt and Richard Strauss. The program includes opera, drama and concerts. The program ranges from Mozart as a local composer to modernism, from classical interpretation to avant-garde experimentation, from the Everyman Hofmannsthal to Tchaikovsky's Eugene Onegin.

Gražinytė-Tyla, who trained with Johannes Schläfli at the Zurich University of the Arts, among others, is currently Principal Guest Conductor with the CBSO and was the ensemble's Music Director from 2016 to 2022. In her new position, she will return to Birmingham regularly to continue her collaboration with the orchestra and choirs.

Founded in 1920, the City of Birmingham Symphony Orchestra is one of the most important orchestras in England, alongside the major London orchestras. Its last chief conductors were Simon Rattle (1980-1998), Sakari Oramo and Andris Nelsons (2008-2015) as Gražinytė-Tyla's predecessor. It is currently conducted by Kazuki Yamada (since 2023).

Elizaveta Ivanova grew up in St. Petersburg, where she studied at the State Conservatory with Olga Chernyadeva. She then continued her studies with Felix Renggli at the Hochschule für Musik in Basel, where she graduated with a Master's degree in Special Performances in summer 2023. She has already excelled in numerous international competitions (Cluj, Crusell, Larrieu) and is a co-soloist in the Frankfurt Opera Orchestra, where she also lives.

The Concours de Genève offers a comprehensive career development program that provides support and advice to promote careers. In addition to the official prizes, the prizewinners benefit from two years of management by the concert agency Sartory Artists. The key to a series of performances that will enable them to take their first steps in Swiss and international concert halls.

In its press release, the umbrella organization of cultural professionals in Switzerland recalls that the Swiss voted against the No Billag initiative five years ago by 71.6 percent. The Federal Council's plan to reduce the fees for radio and television by ordinance and partially release the industry from the obligation to pay contributions "does not take into account the support of the population and damages the public service mandate of SRG SSR instead of supporting it".

Instead of talking about the performance and impact of the SRG, Suisseculture continues, the initiative only talks about financing. At the media conference, Federal Councillor Rösti himself stated that it would not make sense to stipulate the amount of the radio and television levy in the Federal Constitution, as the initiative demands. This approach is at odds with the current world situation, in which information manipulated by artificial intelligence is creating even more uncertainty.

Original article:
www.suisseculture.ch/?article=suisseculture_fordert_der_bundesrat_muss_haltung_zeigen_und_sich_wirklich_hinter_die_srg_ssr_stellen

Genetic textual criticism is dedicated to compositional writing processes, which can be observed and approximately reconstructed both in individual autographs and in the sequence of interrelated workshop manuscripts (sketches, working manuscripts, lists of corrections, etc.). Writing processes provide information about Beethoven's compositional thinking, actions and decisions. Source documents and text-genetic results will be presented digitally as part of the project.

The musicologist Johannes Kepper has now taken up his academy professorship (W2) in the field of digital music editing and digital humanities. The professorship complements the Department of Musicology/Digital Music Edition at the Detmold/Paderborn Musicology Seminar of the Faculty of Cultural Studies at Paderborn University. In addition to his involvement in the academy project Beethoven's Workshop, Kepper will support the expansion of the "Center Music - Edition - Media" (ZenMEM) and the deepening of the range of courses in this area. He will take over from Joachim Veit as co-project manager of the academy project.

More info: beethovens-werkstatt.de

Meret Lüthi studied in Bern with Monika Urbaniak-Lisik and Eva Zurbrügg and in Basel with Walter Levin. She continued her training on the baroque violin with Anton Steck in Trossingen. As a specialist in early music, she teaches baroque violin and historically informed performance practice at Bern University of the Arts. In 2017 she was awarded the Music Prize of the Canton of Bern and in 2020 the Culture Prize of the Bürgi-Willert Foundation.

The Brienz jury honored Meret Lüthi "for building up her internationally renowned ensemble Les Passions de l'Âme and for sharing her impressive wealth of ideas and captivating programs with the public for over 15 years". Previous recipients of a Golden Bow include Hans Heinz Schneeberger, Thomas and Patrick Demenga, Thomas Füri, Thomas Zehetmair, Tabea Zimmermann, Patricia Kopatchinskaja and Kim Kashkashian. The prize, a high-quality engraved bow from Finkel Bogenwerkstätte Brienz AG, is presented at the opening concert of the Meiringen Music Festival Week.

The prerequisite for supporting the Bern Conservatory of Music (Konsibern) is that the voters of the City of Bern approve the 2024 budget on November 19, 2023. The budget also includes the funds for Konsibern. The music school's services are to be paid for with a sum of around four million francs for 2024. This includes additional costs of 166,504 francs, which are due to an increase in the number of lessons, an increase in teachers' salaries and higher rental costs.

The music school was founded in 1858 by the Bernese Music Society BMG. With the founding of the Bern University of the Arts HKB in 2000, the general music school department of the former conservatory was transformed into an independent institution and the Bern Conservatory Music School Foundation was established as a competence center for amateur music-making.