abnabeln

Going inward for the sake of the muse, burning bridges to international show business, releasing a work into concert life or loosening ties between city-subsidized orchestras and their audiences - all, in a sense, ways of cutting the cord.

All articles marked in blue can be read directly on the website by clicking on them. All other content can only be found in the printed edition or in the e-paper.

Focus

 

Between enlightenment and crash
The rock muse at the retreat

Eteignez les lumières !
What is it that pushes artists to leave the international stage? Christophe Meyer explains it to us

Unbundled from the subscription
City-subsidized orchestras and their uncertain future
L'abandon de l'abonnement - L'avenir incertain des orchestres subventionnés par la collectivité (version française)

Lorsque l'œuvre possède sa vie propre
Réflexions sur les formes de détachement que peut ressentir un créateur
par rapport à ses propres œuvres

 

... and also

RESONANCE


Suggestive pull - Dürande Castle concertante in Bern

On the island of chocolate trees - Upside down in Königsfelden

Protection of vested rights once again - Commentary on the Gambling Act

Concours Menuhin à Genève - la Suisse bien représentée

Two speeds - The Parliamentary Group on Music discusses the revision of the Copyright Act

Music summit in Berlin - Focus on copyright and music promotion

Carte blanche for Max Nyffeler 

 

CAMPUS

Natural, tempered and Pythagorean intonation

Daily backbreaking work versus event - A music school director in conversation
 

 

FINAL


Riddle
- Chris Walton is looking for


Row 9

Since January 2017, Michael Kube has always sat down for us on the 9th of the month in row 9 - with serious, thoughtful, but also amusing comments on current developments and the everyday music business.

Link to series 9


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